a painting style that slightly blurs colors and features to make an image more realistic (as hard lines can make a painting appear cartoonish).
The Mona Lisa is the archetype of this technique.
painting: in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less.
"That's called the sfumato style of painting," he hold her, "and it's very hard to do. Leonardo da Vinci was better at it than anyone."
Dan Brown. The Da Vinci Code, p.101
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Fra Bartolommeo only imitated Leonardo in his intense force and soft gradations; the general thinness of colour is opposed to his system. He followed him, however, in his method of painting his shadows with the brush, instead of "hatching" them; he used the same yellowish ground, and "sfumato," [Footnote: Eastlake's Materials for a History of Oil Painting, vol. ii. chap. iv.] i.e. the imperceptible softening of the transition in half-lights and shadows; it was effected by glazes, and is not adapted to a thin substance. The great mistake in Fra Bartolommeo's system was the preparing his paintings like cartoons, and using asphaltum or lamp-black for outlines and shadows; this in process of time destroys the super-colour, and gives a general blackness to the painting.