The performance was timed as carefully as a prize-fight. [...] Everybody concerned in the show knew what he and everybody else had to do. The illuminated number-signs on either side of the proscenium changed themselves with the implacable accuracy of astronomical phenomena.
Arnold Bennett. Paris Nights and Other Impressions of Places and People (1913)
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An exquisite dulcet epithalame of most mollificative suadency for juveniles amatory whom the odoriferous flambeaus of the paranymphs have escorted to the quadrupedal proscenium of connubial communion.